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Fernand cormon French Academic Painter, 1845-1924
French painter. He studied initially in Brussels under Jean-Fran?ois Portaels. In 1863 he returned to Paris, where for three years he was a pupil of Alexandre Cabanel and Eug?ne Fromentin. He made his d?but at the Salon in 1868 and in 1870 received a medal for the Marriage of the Niebelungen (1870; ex-Mus. B.-A., Lisieux, 1970). His painting the Death of King Ravana (1875; Toulouse, Mus. Augustins), taken from the Indian epic poem the Ramayana, was criticized for the choice of an obscure subject but was nevertheless awarded the Prix de Salon in 1875. Soon afterwards Cormon left France for Tunisia. After his return in 1877 he exhibited regularly at the Salon until his death, establishing a reputation as a painter of historical and religious subjects; he also produced some portraits.
Fernand cormon A Forge 1893(Salon of 1894)
2' 4 1/4'' x 2' 11 1/2''(72x 90 cm)
Painting ID:: 11505
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Fernand cormon Cain salon of 1880
12' 5 1/2'' x 22' 11 1/2''(380 x 700 cm)
Painting ID:: 25244
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Fernand cormon La favorite dechue (mk32) uile sur toile signee et datee 70 54.5 x 64.8 cm Coll Roy Brindley La nouvelle favorite semble singulierement peu touchee par le sort de son ancienne rivale
Painting ID:: 25246
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Fernand cormon Jalousie au serail (mk32) huile sur toile signee et datee 1874 160 x 220 cm Musee des Beaux-Arts et d'Archeologie Besancon
Painting ID:: 30870
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Fernand cormon An Iron Forge mk68
Oil on canvas
Paris,Orsay Museum
1893
France
Painting ID:: 84316
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Fernand cormon Le Harem Date after 1877
cyf
Painting ID:: 88347
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Fernand cormon ain flying before Jehovah's Curse 1880(1880)
Medium Oil on canvas
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Fernand cormon
French Academic Painter, 1845-1924
French painter. He studied initially in Brussels under Jean-Fran?ois Portaels. In 1863 he returned to Paris, where for three years he was a pupil of Alexandre Cabanel and Eug?ne Fromentin. He made his d?but at the Salon in 1868 and in 1870 received a medal for the Marriage of the Niebelungen (1870; ex-Mus. B.-A., Lisieux, 1970). His painting the Death of King Ravana (1875; Toulouse, Mus. Augustins), taken from the Indian epic poem the Ramayana, was criticized for the choice of an obscure subject but was nevertheless awarded the Prix de Salon in 1875. Soon afterwards Cormon left France for Tunisia. After his return in 1877 he exhibited regularly at the Salon until his death, establishing a reputation as a painter of historical and religious subjects; he also produced some portraits.
